Machine Dot 4, 2020, atomized enamel on acrylic primed canvas, 60 x 84 inches, 152 x 213 cm.

Machine Dot 1, 2020, atomized enamel on acrylic primed canvas, 60 x 84 inches, 152 x 213 cm.

Marilyn 7, 2014, enamel on canvas, 48 x 36 inches, 91.40 x 121.90 cm

Untitled (Drone Flower), 2018, enamel on canvas, 20 x 16 inches, 40.60 x 50.80 cm.

Mickey, 2014, enamel on canvas, 48 x 48 inches, 121.90 x 121.90 cm.

Cookie Monster, 2016, enamel on canvas with wood frame, 36 x 36 inches, 91.40 x 91.40 cm.

Gun Pile, 2014, Plastic 3-D printed guns, 6.5 x 10 x 2.6 inches, 25.40 x 16.50 x 6.60 cm. (each)

Memory Foam, 2018, The Hole, New York, NY

Selfie: Feng Shui 3, 2014, oil on canvas, 48 x 48 inches, 121.90 x 121.90 cm.

Video / TV, 2015

Memory Foam, 2018, The Hole, New York, NY

AI Criminal III, 2018, print on matte banner, 96 x 96 inches, 244.00 x 244.00 cm.

+ enlarge

Katsu Sawada is a Japanese-American new media artist who graduated from Parsons and works in Brooklyn. He has had a major impact in the graffiti and hacker communities in the past decade, blending technology with artistic talent and humour. His work has been featured in group shows at Fondation Cartier in Paris, France and Eyebeam in Brooklyn, NY, as well as in media outlets Wired, Juxtapoz, and CNN.

select solo exhibitions

KATSU: Mecha, Omni, London, UK

2022

KATSU: DOT, The Hole, New York, NY

2020

Memory Foam, The Hole, New York, NY

2018

KATSU: DRONE, Diane Rosenstein, Los Angeles, CA

2018

AI Criminals, unknown location, San Francisco, CA

2017

Remember the Future, The Hole, New York, NY

2015

Drone Paintings, The Hole at Silicon Valley Contemporary, San Jose, CA

2014
select group exhibitions

Beyond The Streets, Brooklyn, NY

2019

The Seven Year Itch, Diane Rosenstein, Los Angeles, CA

2019

ALAC, The Hole, Los Angeles, CA

2018

Seattle Art Fair, Diane Rosenstein, Seattle, WA

2018

BEYOND THE STREETS, Gastman, Los Angeles, CA

2018

ALAC, The Hole, Los Angeles, CA

2016

Art Brussels, Brussels, Belgium

2015

Chicken or Beef: A Transcontinental Survey of Figurative Painting, The Hole, New York, NY

2013

Born in the Streets, Fondation Cartier, Paris, FR

2009
select press

Mutant Pop, organized by Dearraindrop, published by Loyal Papercraft

2010

“Taylor McKimens,” Juxtapoz, June 25

2012

Machine Dot 4, 2020, atomized enamel on acrylic primed canvas, 60 x 84 inches, 152 x 213 cm.

Machine Dot 1, 2020, atomized enamel on acrylic primed canvas, 60 x 84 inches, 152 x 213 cm.

Marilyn 7, 2014, enamel on canvas, 48 x 36 inches, 91.40 x 121.90 cm

Untitled (Drone Flower), 2018, enamel on canvas, 20 x 16 inches, 40.60 x 50.80 cm.

Mickey, 2014, enamel on canvas, 48 x 48 inches, 121.90 x 121.90 cm.

Cookie Monster, 2016, enamel on canvas with wood frame, 36 x 36 inches, 91.40 x 91.40 cm.

Gun Pile, 2014, Plastic 3-D printed guns, 6.5 x 10 x 2.6 inches, 25.40 x 16.50 x 6.60 cm. (each)

Memory Foam, 2018, The Hole, New York, NY

Selfie: Feng Shui 3, 2014, oil on canvas, 48 x 48 inches, 121.90 x 121.90 cm.

Video / TV, 2015

Memory Foam, 2018, The Hole, New York, NY

AI Criminal III, 2018, print on matte banner, 96 x 96 inches, 244.00 x 244.00 cm.

Bowery

312 Bowery
New York City, NY 10012

+1 212 466 1100

Tribeca

86 Walker St.
New York City, NY 10013

+1 212 343 3100

Los Angeles

844 N La Brea Ave.
Los Angeles, CA 90038

+1 323 297 3288