Friends & Amigos, 2018, pastel on sandpaper, 75.5 x 56 inches, 192 x 142 cm

Makaveli of Freedom, 2018, pastel on sandpaper, 67 x 56 inches, 170 x 142 cm

2018 at The Hole, New York, NY

2018 at The Hole, New York, NY

The Sell Out, 2012, Colored pencil on paper, 79 x 72 inches, 182 x 200 cm.

The Delivery of St. Teresa, 2017, pastel on paper, 51 x 44 inches, 129.5 x 112 cm.

Rockport Fire, 2020, pastel and acrylic on linen, 20 x 15 inches, 51 x 38 cm.

Pencil Sharpener, 2020, pastel on linen, 41 x 33 inches, 104 x 84 cm.

White G(love)s, 2017, oil pastel on sandpaper, 68 x 56 inches, 142 x 173 cm.

Cannes, 2022, oil on prepared burlap, 36 x 24 inches, 91 x 61 cm.

Serena Waits, 2021, oil on canvas, 48 x 66 inches, 122 x 168 cm.

2021 at The Hole, New York, NY

+ enlarge

After studying journalism at USC, Eric Yahnker went on to the CalArts where he received his BFA in animation. He then worked on animation for TV, including Seinfeld, South Park, and MADtv, before switching to a career in the contemporary art world. Since 2008, Yahnker has had solo exhibitions at The Hole in New York, Ambach & Rice and Zevitas Marcus in Los Angeles, Paradise Row in London, and Jeanroch Dard in Paris. Recent group exhibitions include Brand New Gallery in Milan, M+B in Los Angeles, the Torrance Art Museum in Torrance, TX and Galerie Ampersand in Cologne. His first museum solo exhibition The Long Goodbye took place at CAM Raleigh in North Carolina in 2017.

See more of Yahnker’s work on his website: http://www.ericyahnker.com/.

eric yahnker

b. 1976 Torrance, CA

Lives and works in Los Angeles, CA

education

BFA Animation, California Institute of the Arts, Los Angeles, CA

2000

Journalism, University of Southern California, Los Angeles, CA

1996
select solo exhibitions

Heavy Lemons, The Hole, New York, NY

2021

New Works, ALAC, The Hole, Los Angeles, CA

2020

Factory Reset, The Hole, New York, NY

2018

White (G)loves: The Hole at UNTITLED, Miami Beach, FL

2017

The Long Goodbye…, CAMRaleigh, Raleigh, NC

2017

Alternative Fiction, The Hole, Art Brussels, Brussels, Belgium

2017

Steve Jobs’ Day Off, The Hole, New York, NY

2016

Noah’s Yacht, Zevitas Marcus, Los Angeles, CA

2016

Sticks & Drones, Paradise Row, London, UK

2014

Ebony & Benghazi, Ambach & Rice, Los Angeles, CA

2013

Virgin Birth n’Turf, The Hole, New York, NY

2012

Party Sub/Sub Party, The Armory Show, New York, NY, Ambach & Rice

2012

Cracks of Dawn, Ambach &Rice @ Kunsthalle L.A., Los Angeles, CA

2011

Nervous Surf, Galerie Jeanroch Dard, Paris, France

2010

Naughty Teens/Garbanzo Beans, Ambach & Rice, Seattle, WA

2009

Piano Man (For Guitar), Jack the Pelican Presents, Brooklyn, NY

2008

Dolly Parton Behind A Tree, Kim Light Gallery (project room), Los Angeles, CA

2008

Friends & Amigos, 2018, pastel on sandpaper, 75.5 x 56 inches, 192 x 142 cm

Makaveli of Freedom, 2018, pastel on sandpaper, 67 x 56 inches, 170 x 142 cm

2018 at The Hole, New York, NY

2018 at The Hole, New York, NY

The Sell Out, 2012, Colored pencil on paper, 79 x 72 inches, 182 x 200 cm.

The Delivery of St. Teresa, 2017, pastel on paper, 51 x 44 inches, 129.5 x 112 cm.

Rockport Fire, 2020, pastel and acrylic on linen, 20 x 15 inches, 51 x 38 cm.

Pencil Sharpener, 2020, pastel on linen, 41 x 33 inches, 104 x 84 cm.

White G(love)s, 2017, oil pastel on sandpaper, 68 x 56 inches, 142 x 173 cm.

Cannes, 2022, oil on prepared burlap, 36 x 24 inches, 91 x 61 cm.

Serena Waits, 2021, oil on canvas, 48 x 66 inches, 122 x 168 cm.

2021 at The Hole, New York, NY

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